Hua weicheng
Graduated from Communication University of China in 2007, with a master's degree in film. Visiting Scholar in 2017, Central Academy of Fine Arts. Current works mainly focuses on the situation of ordinary people under the multiple pressures of political power and capital logic in forms of photography, video, installation and documentary.
Currently living in Chongqing.
Exhibition:
"Go to the Alien Street", Jimei-Arles International Photo Festival, China, 2020
“China Imagined”, BredaPhoto, Breda, Netherlands, 2020
“Do not”, Video Art Guiyang Exhibition, Fiber Space, Guiyang, China, 2020
“Apple π”，Organhaus Art Space，Chongqing, China, 2020
“Twelve Scenes of Alien Street”，Lishui Photo Festival, China, 2019
“Sunset on a Dead End - The Notorious and Their Inexplicable Modes of Existence", Power Station of Art, Shanghai, 2019
“From Eest to West”, Karlsruhe University of Arts and Design (HfG)，Germany, 2016
The FIF_BH - International Festival of Photography of Belo Horizonte, Brazil ，2015
Syngenta Photography Award Exhibition, Somerset House, London，UK，2015
FORMAT International Photography Festival, University of Derby, UK, 2015
“Bizarreland-Chinese Contemporary Photography” , NordArt, Germany，2015
New Photography‘Cargo’Project, Ukiyo-phase，Yuan Art Museum, Bejing, China, 2014
“Damaged Landscape”, 798 Photo Gallery, Beijing, China, 2014
Xishuangbanna Foto Festival, Xishuangbanna , China, 2014
Dali International Photography Festival, Dali, China, 2013
“Gloomy City”, Pingyao International Photography Festival, Pingyao, China, 2012
“Jialing River”, Pingyao International Photography Festival, Pingyao, China，2011
Award:
Jimei-Arles Discovery Award, Nominated, 2020
West Lake International Documentary Festival, IDF Academy, Shortlisted, 2019
First International Film Festival，Experimental Film Competition, Shortlisted, 2017
Changjiang International Photography And Video Biennale, Bronze Award, Winner, 2017
The Prix HSBC pour la Photographie, Nominated, 2014
Pingyao International Photography Festival, Funding Award, Winner, 2011